Manager: Elisa Patria
Territory: Worldwide (except Poland, Czech Republic, France and Asia )

Heroic performances from the LPO and Łukasz Borowicz
— Bachtrack (May 2018)
I had not previously seen the Polish conductor perform but I was impressed – by the unfussy attentiveness to score and soloist in Penderecki’s Concerto and by the lithe freedom of his interpretation and rendering of Prokofiev’s Fifth Symphony (1944).
— Seen and Heard International (May 2018)


One of the most versatile conductors of his generation, Łukasz Borowicz regularly leads the major European orchestras in the core Germanic repertoire as well as important Russian, Polish, Czech and Hungarian works. He conducts opera and has received numerous prizes for his over 80 recordings. From 2007 to 2015 he was Chief Conductor of the Polish Radio Symphony Orchestra in Warsaw, and in 2006 he was appointed Chief Guest Conductor of the Poznań Philharmonic, a title he retains.

In the 19/20 season Borowicz returns to: Beethoven Festival Warsaw, Warsaw Philharmonic, National Polish Radio Symphony Orchestra Katowice, Janacek Philharmonic Ostrava, Opera national de Montpellier Languedoc-Roussillion, Istanbul Symphony Orchestra. Highlights will include a concert performance of Anton Bruckner’s sacred music at the Brucknerfest Linz (a product of his multi-disc recording of such works with RIAS Kammerchor and Akademie für Alte Musik Berlin on the Accentus label), a new production of Moniuszko's Halka at the Theater an der Wien and the Teatr Wielki - National Opera of Poland and with Piotr Beczała. Throughout February and March, Borowicz leads the Poznań Philharmonic on tour throughout Germany and France, including stops at the Kölner Philharmonie and the Théâtre des Champs Elysées.

Ongoing recording projects include a release of Hugo Alfven’s five symphonies with the Deutsches Symphonie-Orchester Berlin on CPO, Jerzy Gablenz's Piano Concerto and Polish Fantasy by Ignacy Jan Paderewski with Jonathan Plowright and the BBC Symphony Orchestra Glasgow for Hyperion, world premiere recordings of a new Symphony by Krzysztof Meyer with National Polish Radio Symphony Orchestra Katowice and of Moniuszko's Cantatas with Poznań Philharmonic. In total, he will be credited on eleven new cd albums this coming season, to also feature music by Bruckner, Tcherepnin, and Weinberg, among others.

Łukasz Borowicz has appeared as guest conductor and recorded with: Opéra Bastille, London Philharmonic Orchestra, BBC Scottish Symphony Orchestra, Royal Philharmonic Orchestra, Deutsches Symphonie-Orchester Berlin, Konerthausorchester Berlin, Bamberger Symphoniker, SWR Sinfonieorchester, Düsseldorfer Symphoniker, MDR Sinfonieorchester, Orchestre National de Lille, Opéra national de Lorraine, Luxembourg Philharmonic Orchestra, Luzerner Symfonieorchester, Trondheim Symphony Orchestra, Queensland Symphony Orchestra, Los Angeles Philharmonic New Music Group and a number of other orchestras and ensembles, including all the major Polish symphonies. He has led concerts at the Rossini Festival in Pesaro, Schleswig-Holstein Music Festival and Kissinger Sommer Festival, and has an ongoing relationship with the Beethoven Easter Festival in Warsaw, which has seen thirteen rarely played operas recorded and released to date.

Borowicz made his operatic debut at the Teatr Wielki - National Opera of Poland with Don Giovanni, which has been followed by over 150 performances at the house, including new productions of Orfeo ed Euridice, A Midsummer's Night Dream, The Rite of Spring and Romeo and Juliet. Further operatic credits include premieres of Zauberflöte, Rusalka, Dido and Aeneas, Blubeard's Castle (Łódź), Don Giovanni, Eugene Onegin, Halka and King Roger (Kraków), Eugene Onegin (Nantes) and King Roger (Bilbao).

A prolific recording artist with over 80 albums to his name, Borowicz’s recordings have been awarded three Diapason d’Or prizes. Symphonic recordings include the complete violin concertos by Grażyna Bacewicz for Chandos, the complete symphonic works by Andrzej Panufnik for CPO, and several titles for Hyperion. The final installment of the Panufnik cycle was selected as an Editor’s Choice by Gramophone magazine, and Borowicz received the ICMA Special Achievement Award in 2015 for his pioneering work on the cycle. In 2018 he received another ICMA award for his recording of Quo Vadis by Feliks Nowowiejski. His collaboration with Piotr Beczała on Deutsche Grammophon’s recording Heart's delight – Songs of Richard Tauber was met with wide critical and public praise.

Born in Warsaw in 1977, Łukasz Borowicz graduated from the Frederic Chopin Music Academy, where he studied under Bogusław Madey. He received a doctorate in conducting under Antoni Wit. He has received the Polityka Passport Award (2008), Coryphée of Polish Music Award (2011), Norwid Award (2013) and Tansman Prize honouring an outstanding musical personality (2014).

Crowned by an exalted performance of Penderecki’s Second Violin Concerto, played by the dedicatee Anne-Sophie Mutter in the presence of the composer, the London Philharmonic’s closing concert of its current season took excellence and courageous programme planning to levels of expectation and emotional intensity more than once defying belief. Here was an orchestra in terrific form, working with a new conductor, Łukasz Borowicz, rising to every challenge, playing with a finesse, exchange, discipline and dynamic sophistication that excited the familiar and clarified the unfamiliar. Borowicz, formerly chief conductor of the Polish Radio Symphony Orchestra in Warsaw, coaxed his players to listen as individuals and respond as a regiment. A secure presence on the podium, elegant and attentive, not unduly flamboyant, with a clear beat, he’s a musician who on this showing thinks in graceful, shaped phrases placed within long paragraphs. He got the strings to dig deep, bottom upwards, creating warmly bedded foundations, the more gravitationally powerful and vibrationally nuanced for the addition of pitch-less percussion (bass drum most obviously) in the Prokofiev Symphony. He brought a bright edge to the woodwind, and allowed the brass to relish the limelight, virtuosity razor-sharp and rhythmically tensioned. Whatever his secret, his rehearsal technique, he got the LPO to speak and take to the mountain highs, here coasting, now taking the bit, there opening the throttle like a Bugatti thundering down the straight in full-throated roar. Yes, some concert…
— Classical Source (May 2018)
The success is largely due to Lukasz Borowicz, 38 year-old Polish conductor, (…) already holder of an extensive discography: he’s obviously at ease with this repertoire. He conducts the whole concert with baffling ardor and control and it’s hard to know where to start when it comes to praising the precision of the rhythms, the acute sense of contrast and dynamic, or the sharp attention he pays to soloists. Thanks to him, the flawless Orchestre National des Pays de la Loire is glowing, with a string section in a state of grace.
— Resmusica.com, Vincent Deloge (Tchaikovsky Eugene Onegin at Opera de Nantes)
An excellent conductor… extremely gifted
— Krzysztof Penderecki
We will be hearing a lot more of Lukasz Borowicz
— Gramophone

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