General Manager: Jean-Jacques Cesbron
Territory: Worldwide

European Representation (except Italy): Konzertdirektion Schmid

Italian Representation: Elisa Patria


Carpenter is one of the rare musicians who changes the game of his instrument… He is a smasher of cultural and classical music taboos. He is technically the most accomplished organist I have ever witnessed… And, most important of all, the most musical.

With his exceptional musicality, sheer endless technical ability and pioneering spirit, the extraordinary organist Cameron Carpenter is already leaving his mark on recent music history. Ever since the completion of his own instrument, the International Touring Organ (ITO) in 2014, Cameron defies initial skepticism towards this digital instrument and established the ITO on the world’s most prestigious stages. By now, he almost exclusively performs on the ITO, be it in recital or concerto appearances. This tailor-made instrument, based on Carpenter’s own plans, allows him to perform at almost any location worldwide. Thus far, he has taken it on tour to Australia, New Zealand, Russia and Asia in addition to numerous appearances around Europe and the US.

Cameron’s latest album, Rachmaninoff & Poulenc, is a live recording with the Berlin Konzerthaus Orchestra released in April 2019 on Sony Classical. It is the follow-up to All You Need is Bach which topped the Billboard Classical charts at #1 in the USA and on the European charts upon its release in Spring 2016.

Recent highlights include recitals with the Los Angeles Philharmonic, the Lucerne Festival, Philharmonie Cologne, Festspielhaus Baden-Baden, Philharmonie Luxembourg and his debut at the Cité de la musique, Paris,. Core of Carpenter’s repertoire in the current season will be Johann Sebastian Bach’s Goldberg Variations, as well as his transcription of Howard Hanson’s Symphony No. 2 Romantic.

Born in 1981 in Pennsylvania, USA, Carpenter performed J.S. Bach Well Tempered-Clavier for the first time when he was eleven and became a member of the American Boy choir School in 1992. Besides his mentor Beth Etter, John Bertalot and James Litton taught him. At the North Carolina School of Arts he studied composition and organ with John E. Mitchener. Carpenter transcribed more than 100 works for organ, amongst others Mahler’s Symphony No 5. He composed his first own works during his studies at Juilliard School in New York, 2000-2006 where, at the same time he also had piano lessons with Miles Fusco. In 2011 his concerto for organ and orchestra The Scandal was premiered by Die Deutsche Kammerphilharmonie Bremen at the Philharmonie Cologne. In 2012 he received the Leonard Bernstein Award of the Schleswig-Holstein-Musik Festival and has been Artist in Residence of Konzerthaus Berlin in the 17/18 season.

No other musician of Carpenter’s generation has more adeptly fused shrewd showmanship, dazzling technique and profound thinking about his instrument and his place in the musical cosmos...
The Maverick Organist... he is a player with extraordinarily glib fingers and Astairelike
footwork... a first-rate talent with a sense of how phrases move.

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