CAMERON CARPENTER

INSTRUMENTALIST - ORGAN
CLASSICAL

International Manager: Jean-Jacques Cesbron
US Manager: Theresa Vibberts
Management Territory: Worldwide

Worldwide General Manager
European Representation: Konzertdirektion Schmid


ABOUT

Carpenter is one of the rare musicians who changes the game of his instrument… He is a smasher of cultural and classical music taboos. He is technically the most accomplished organist I have ever witnessed… And, most important of all, the most musical.
— THE LOS ANGELES TIMES

Cameron Carpenter is having a ball smashing the stereotypes of organists and organ music, and all the while generating international acclaim and controversy unprecedented in his field. Cameron's repertoire – from the complete works of J. S. Bach to film scores, his original compositions and hundreds of transcriptions and arrangements – is probably the largest and most diverse of any organist. He is the first 'concert organist' in history to prefer the digital organ to the pipe organ, and to champion it as the future of the instrument.

In 2014, Cameron launched his International Touring Organ - a monumental cross-genre digital organ built by Marshall & Ogletree to his own design - in extensive tours in Europe and the USA. His Sony Music debut album If You Could Read My Mind entered Billboard's Traditional Classical chart at No. 1 on its US release.

A former child prodigy, Cameron Carpenter trained at the American Boychoir School, the North Carolina School of the Arts and has two degrees from The Juilliard School. He holds the 2012 Leonard Bernstein Award, is the first solo organist ever nominated for a GRAMMY® Award for a solo album, and has appeared with many of the great orchestras around the world; he has spoken and debated at think tanks and conferences including TED, IdeaCity, The Entertainment Gathering, and many more.

No other musician of Carpenter’s generation has more adeptly fused shrewd showmanship, dazzling technique and profound thinking about his instrument and his place in the musical cosmos...
— THE SAN FRANCISCO CHRONICLE
The Maverick Organist... he is a player with extraordinarily glib fingers and Astairelike
footwork... a first-rate talent with a sense of how phrases move.
— THE NEW YORK TIMES


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