Tan Dun
The conceptual and multifaceted composer/conductor Tan Dun has made an indelible mark on the world's music scene with a creative repertoire that spans the boundaries of classical music, multimedia performance, and Eastern and Western traditions. A winner of today's most prestigious honors including the Grawemeyer Award for classical composition, Grammy Award, Academy Award, and Musical America's Composer of The Year, Tan Dun's music has been played throughout the world by the leading orchestras, opera houses, international festivals, and on radio and television. Most recent compositions include: Internet Symphony No. 1: "Eroica" commissioned by Google/YouTube as the focal point for the world's first collaborative online orchestra to connect aspiring musicians with world class conductors, star soloists of the classical music world, and influential institutions including the London Symphony Orchestra, and Carnegie Hall; a new opera, The First Emperor, with Placido Domingo in the title role, commissioned by the Metropolitan Opera of New York and nominated for a Grammy Award for best opera recording in 2009; Piano Concerto "The Fire" for pianist Lang Lang and The New York Philharmonic; and Four Secret Roads of Marco Polo for the Berlin Philharmonic. Tan Dun was commissioned by the International Olympic Committee (IOC) to write the Logo Music and Award Ceremony Music for the Beijing 2008 Olympic Games.
Central to Tan Dun's body of work are several distinct series that reflect his individual compositional concepts and personal ideas. Among them are the Orchestral Theatre Series, which brings his memories of shamanistic ritual into symphonic performances and includes the representative work The Gate which premiered by the NHK Symphony, conducted by Charles Dutoit; the Organic Music Series, consisting of works which incorporate elements from the natural world such as Water Concerto for water percussion and orchestra, and Paper Concerto for paper percussion and orchestra; and the Multimedia Series, including The Map: Concerto for Cello, Video and Orchestra premiered by the Boston Symphony Orchestra and Yo-Yo Ma with the composer conducting. Tan Dun's manuscript of The Map was acquired recently by Carnegie Hall for its Composers Gallery in New York.
Opera has played a significant role in Tan Dun's creative output during the past decade. Marco Polo (1995-96), has had four different productions including the most recent in November 2008 with De Nederlandse Opera directed by Pierre Audi. Peony Pavilion (1998), based on the text by Tang Xianzu (1598) and directed by Peter Sellars, has had more than 50 performances at major festivals in Vienna, Paris, London and Rome. Tea (2002), set to music of water, paper, ceramic and stone instruments with orchestra, premiered at Japan's Suntory Hall with De Nederlandse Opera and Pierre Audi directing and has since had numerous new productions throughout the world, including Amon Miyamoto's production at Santa Fe Opera.
As a conductor, Tan Dun has led the world's most renowned orchestras, including the Royal Concertgebouw Orchestra, Berlin Philharmonic, Boston Symphony Orchestra, Orchestre National de France, Philadelphia Orchestra, Royal Stockholm Philharmonic Orchestra, China Philharmonic Orchestra, BBC Symphony Orchestra, NHK Symphony Orchestra, and the New York Philharmonic, among others. He records for Deutsche Grammophon, Sony Classical, and EMI. His recordings have garnered many accolades, including a Grammy Award (Crouching Tiger, Hidden Dragon), Japan's Recording Academy Awards 2003 for Best Contemporary Music CD (Water Passion after St. Matthew) and the BBC's Best Orchestral Album (Death and Fire). His music is published exclusively by G. Schirmer, Inc.
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Pulisher: Schirmer
Manager: Jean-Jacques Cesbron, Ronald Wilford
Contact: Lisa Willis
Management Territory: Worldwide
Artist News
TAN DUN: MARCO POLO
S. Castle, Lundy, Kross; Workman, Zhang, Richardson, Bryant; Cappella Amsterdam, Netherlands Chamber Orchestra, Tan Dun. Production: Audi. Opus Arte OA 1010 D, 156 mins., subtitled
After an absence of just more than a decade, Marco Polo, Tan Dun's first opera, returned in 2008 to the Netherlands Opera in a new staging and production. The opera, which had its premiere at the Münchener Biennale in 1996, won the Grawemeyer Award in 1998 and helped secure Tan Dun's rise to worldwide recognition.
Setting a libretto by Paul Griffiths and labeled "an opera within an opera," Marco Polo takes a highly symbolic, multi-level, introspective approach to its subject, rather than attempting a literal representation. The protagonist himself is presented in two simultaneous aspects - Marco, the physical, active side of the character, and Polo, the character's memory and intellectual self. Other characters include the element Water (who serves as something of a love interest for Polo), Kublai Kahn and three ghosts. The first ghost primarily appears as Rustichello, the scribe to whom the historical Marco Polo dictated his travels. He also represents the Chinese poet Li Po. Ghost 2 appears as Sheherazada, Gustav Mahler and the Empress of China. Ghost 3 manifests himself primarily as Dante but also as Shakespeare. Three simultaneous journeys are occurring in this opera - a physical journey from Venice to China; a journey through musical styles of medieval Europe through the Middle East, India, the Himalayas and finally China; and a spiritual journey of self-discovery and of the three aspects of time (past, present and future).
As a person who began life in the Hunan district of China, survived the Cultural Revolution and has lived since the mid-1980s in New York City, Tan Dun acknowledges that his own experience of multiculturalism has added an autobiographical reference to Marco Polo. His training in the folk traditions of Chinese music, his work in the Peking Opera and his education in advanced Western classical music have all become internalized and melded into a style uniquely his own, embracing the music of many cultures.
Pierre Audi, who shows a deep understanding both of the opera itself and of his specific team, directs this colorful new production of Marco Polo with great flair. His vision is convincing and powerful. Special praise must go to designers Jean Kalman and Elsa Ejchenrand, whose sets and lighting make highly imaginative use of the entire stage.
The cast for this production is close to ideal. All the roles require singers with a command of an enormous vocal tessitura, and all the performers here make their music sound natural and effortless. A veteran performer in the Kunqu opera tradition (which predates Peking opera style), Zhang Jun as Ghost 1 has the most athletic requirements of all the performers. He is onstage for virtually the entire opera, often dancing as well as singing. Additionally, he serves as a narrator for the physical journey being enacted. His character can be said to be the soul of the opera. His performance is quite moving and charismatic. Charles Workman gives a compelling interpretation of Polo. His is an intensely emotional role to play, and Workman proves fully convincing in it. Sarah Castle does well in the more supporting role of Marco. As Water, Nancy Allen Lundy is enthralling. Tania Kross makes an enchanting Sheherazada, a believable Gustav Mahler and a warm-hearted Empress. Stephen Richardson is appropriately commanding as Kublai Kahn and most impressive near the end of the opera, when he finally gets an extended aria. As Ghost 3, Stephen Bryant, the only carryover from the earlier cast, shows a dazzling mastery of vocal techniques.
Marco Polo is one of Tan Dun's most inspired, successful and spectacular efforts. For those new to his artistry, this DVD would make a fabulous introduction. For those who already enjoy the composer's work, this release will be a benchmark for years to come.
ARLO MCKINNON
